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Istanbul mehmet cymbals
Jazz Series LD-R20 Legend Dark Ride 20-Inch Cymbal
Size:
-inch
Disponibilidad
En stock
En stock
Peso con empaque
2.34 kg
2.34 kg
Devolución
No
No
Condición
Nuevo
Nuevo
Producto de
Amazon
Amazon
Sobre este producto
- Hand crafted in Istanbul, Turkey
- Woody, Dark and Controlled Sound Clear Stick Definition
- Custom dark lathing on top / Traditional lathe on bottom
- Suited for jazz or anywhere you want that legendary darker Turkish sound
- Available in 19", 20", 21", 22", 24"with or without rivets / sizzles
$870,05
55% OFF
$395,48
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$870,05
55% OFF
$395,48
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Conoce más detalles
Same profile as the Mehmet Legend Series with custom dark lathing. The bottom side has traditional lathe. Less overtone. Washy. Dark. Woody Stick Definition. ABOUT ISTANBUL MEHMET - Mehmet Tamdeger learned his art from Mikhail Zilcan, the grandson of Kerope Zilcan, after whom the Zilcan K series is named. In the 1950s, he worked in the K. Zilcan factory in Istanbul. At the age of nine Mehmet Tamdeğer started to work for Mikhail Zilcan. Mikhail Zilcan and Kirkor Kucukyan taught him every aspect of this ancient Turkish art, based on a history that stems back to the early 17th century. The Istanbul brand name was adopted by a cymbal works established by two cymbal smiths, Mehmet Tamdeger and Agop Tomurcuk. At that time, they had over three decades of cymbal making experience. Mehmet and Agop named their company after the city that has been home to the epitome of high quality cymbals for many, many years: Istanbul. These cymbals were first exported to the U.S. in 1984, first under the name "Zildjiler", and soon afterwards as "Istanbul". Both craftsmen signed each cymbal and many of these cymbals are now collectors' items. After Agop Tomurcuk's unexpected death in July 1996, Mehmet decided to continue the production of cymbals under his own name, İstanbul Mehmet. A lot has changed since then, but his belief in the richness and the character of a handmade cymbal will always remain. Machines don't have ears. That's why we continue to make our cymbals according to the ancient tradition - with an open eye towards the music that's being made now, and in the future.
